MUSE MONDAY
Please welcome Mary Gillgannon to Muse Monday. Read on!
Years ago, a romance editor told me what she looked for in a
synopsis: “Tell me what she wants, what
he wants, and why they can’t get it.”
I was trying to figure out how to condense my ten-page
synopsis down to the two pages she’d requested, and at first her advice puzzled
me. What about the development of the romance? What about character growth? I
eventually came to realize that what she was talking about was conflict.
Because something is keeping the characters from getting what they want, there
is conflict. And conflict is the engine that drives the story. It is what
builds suspense. If the characters get everything they want, the reader isn’t
going to care about them, or keep reading to find out what happens. Without
conflict, you don’t have a strong plot.
In a romance, the conflict often starts between the hero and
heroine. Sometimes it’s overt and they are actual enemies. In one of my books,
she’s a Saxon and he’s the Norman knight who takes control of her home. Their
first response upon meeting is wariness on his part, and outright hatred on
hers. There is a big conflict between them and it takes a long time to work
out.
In a contemporary romance conflict may be more subtle. They
may be on opposite sides of a political issue or work for competing businesses.
Or they may just rub each other the wrong way. She’s a free spirit and he likes
things by-the-book. She may be fiercely independent and he’s a take-charge kind
of guy. Whatever it is, they clash from the beginning. Sometimes in big ways.
Sometimes in little ones. The tension of their conflict is part of what draws
them together. It makes them think and behave in different ways. By its very
nature it changes them. And the reader follows along, wanting to see what happens.
Then there is the conflict that takes place inside them.
They may be very clear in their goals at the beginning of the book, but by the
end, they have often completely changed direction. What they think they want
turns out to be unimportant, and something they didn’t think they cared about
turns out to be crucial to their happiness. We enjoy this process of the
characters growing and changing as they work out the conflicts happening inside
them.
Very often the conflict that drives the story changes over
the course of the book. The internal conflicts at the beginning are resolved as
the hero and heroine fall in love. Meanwhile, outside forces threaten to
destroy everything. The villain who has been lurking in the background takes
center stage. But the hero and heroine, who have learned to trust each other
and work together, now take on the threat together. The conflict has shifted
from the dynamic between them to something outside them. Depending on the
story, the threat may be psychological or very real. But either way, the
struggle with this opposing force will take them to nearly the end of the book.
As they—together—triumph over the obstacle to their
happiness, the reader experiences the satisfaction of their success and a sense
that all is right with the world. The happily-ever-after is the payoff. But it
would not be nearly so sweet without the conflict that made the story come to
life.
Tell us a little about your latest book, Mary, and something about you...
In the ninth-century, Irish
warrior Connar fell hopelessly in love with Aisling, one of the Nine Sisters, a
group of priestesses skilled in healing. When Aisling came to a tragic end, he
used magic to travel to the future to reunite with her. But someone has
followed Connar from the past, and they are determined to keep Allison and
Connar apart. As Allison struggles with terrifying visions, she must learn to
trust in a love that transcends even death.
Buy links:
AMAZON B & N KOBO THE WILD ROSE PRESS
Mary Gillgannon writes historical romance and fantasy, often
with Celtic influences. She’s married and has two grown children. She now
indulges her nurturing tendencies on four very spoiled cats and a moderately
spoiled dog. When not working or writing, she enjoys gardening, traveling and
reading, of course!
Today we're each going our different directions. Lance is getting in his last days of bow hunting. Christie is minding the farm and Sadi. Frank is headed to the lake. He'll man the Prescott Farmers' Market solo on Saturday. I am out the door to Phoenix for the Chocolate Affaire which is actually in Glendale. One of my author groups will have a booth, and we'll be signing books.
