Monday, May 18, 2015

Writing a Book Is Like a Roadtrip

MUSE MONDAY
Starting a new book is like getting ready for a road trip. In the beginning, I'm excited about the destination and don't do much except THINK about where I'm headed and what I'll need along the way. Then I go into my helter-skelter mode. I might pull some clothes out of the closet. Get the oil changed in the car. Print off a few pages of sites to see. Discard some of the clothes and pull out some more. Wash the car. Run to the store for car snacks. Put some of the clothes in the suitcase. But in the end, I get it together and head out the door. The real fun begins.

I'm in the helter-skelter mode for book four of my Love and Murder Series. I made some random notes about plot. The main characters have a file and their back story and character traits are partially filled in. The basic outline formed up one day. Then I jumped back to character files. Chapter one is roughed out. Then the outline got beefed up a little. Research is underway for the setting. And now it's time to actually get on the writing road. It's like an adventure and yes, the real fun begins.

But just like that road trip when I'll buy more snacks along the way, maybe change the route a time or two, the story will require extra research or acquire new twists as I reach the destination: the end.


Book One: The Art of Love and Murder
available everywhere in print or eBook






Book Two: Southwest of Love and Murder/available everywhere in print or eBook



Book Three: A Legacy of Love and Murder
On my editors desk

Book Four: helter-skelter mode

Book Five: in THINK mode

Monday, May 11, 2015

TIPS FOR THE NON-PLOTTER by Mary Gillgannon



MUSE MONDAY
Please join me in welcoming Mary Gillgannon to Discover Yourself. It's always fun to read how an author works! 
I am what I call an “into the mist” writer. I don’t really plot, but come up with an opening, characters or story idea and start writing. I do it this way not by choice, but because if I try to plot out my story, the creative part of my brain refuses to cooperate.
My theory is that in order to write, the two sides of my brain have to work together. The creative side comes up with story, but the rational/organized side then has to find the words and structure to describe it. It’s as if my consciousness has to jump back and forth between the two sides in order to write.
Over time, I’ve learned some things that facilitate this process. The first one is that basic physical activity increases this connection between the two sides of my brain. If I’m totally stuck and get up from the computer and do something—make tea, use the bathroom, walk downstairs—any one of those very mundane activities seems to unlock something and make the words flow.
Along with walking comes driving, another activity where part of my brain is engaged. While the rational part of my brain is calculating distance and speed and helping me make the decisions of when to pass and when to slow down, another part of my brain is making creative connections and furthering my story.
I’ve also discovered that dreaming and daydreaming both represent a state where the creative part of my brain works best. I’m not a morning person. I’m basically dysfunctional until about 10 a.m. And yet, I can get up in the wee hours and write. It works because the dream state you experience while sleeping is related to the state where the creative part of the brain is most accessible. I’ve learned that if I get stuck in a story, if I think about the story while I’m trying to fall asleep and when I first awake, my unconscious will often tell me where to take it.
The third thing that seems to help me is simply telling someone about my plot. It has to be live and in the moment. And it has to be an oral description/explanation. But something about the physical act of verbalizing my story seems to free the creative half of my brain. Again, the physical process apparently fires the neurons I use to create the story.
For me, the process of writing is mysterious and magical. And incredibly messy and wasteful. For my few books, I probably wrote an extra 30,000 words for every 100,000 that ended up in the finished book. I’ve gotten better over the years. I don’t get quite as off track as I used to. I’ve learned to recognize when I’m headed down a blind alley and stop and figure out where my plot needs to go. My muse is stubborn and independent, but she will listen to reason occasionally.
But the true test of my getting better at this is whether I can manage a mystery plot. My current work in progress has a murder, and there may be more deaths. (I don’t know yet. Which probably seems odd, but it’s true. I won’t know until my characters find another dead body.) When writing a mystery, everything has to make sense and tie together at the end, and yet keep the reader guessing throughout the book. You have to set up the clues and also throw in some red herrings to misdirect and confuse. This is real plotting and it takes more logic than instinct and intuition, which is how my romances evolve. But I’m determined to master this. Because someday I’d like to write a real mystery. And that’s a bit daunting when you don’t plot.

Blurb and buy links for Wicked Wager:
When hardened gamester Marcus Revington wins Horngate Manor in a card game, he is delighted to finally own property. Even discovering he must marry the heiress of the estate doesn’t deter him. The heiress, Penny Montgomery, is happy with her life raising horses at Horngate and has no desire to wed anyone. When she learns about her guardian’s Wicked Wager, she schemes to convince Marcus she’s unsuitable as a wife so he’ll forget his plan to marry her. Who will win this battle of wits and wills? Or will they both discover the name of the game is love?

Friday, May 8, 2015

No Internet? Now THAT'S Fearless!

FEARLESS FRIDAY

Sometimes I bemoan the fact I am so "connected". How peaceful it would be if I didn't blog or have email or worry what I'm missing if I didn't have Internet. But when you're an author, it's near impossible to exist without being connected. In fact, not connected would be like...fearless.

Which I'm not!
 
It didn't occur to me I'd be without Internet this week. My husband is fulfilling a bucket list item by serving as a marshal in a pro fishing tournament in Lake Havasu, Arizona. He booked us at a beautiful state park camp and RV park about fifteen minutes out
View from top of one of the trails
of the city. There's a sandy beach for people and a separate one for doggies. There are trails and fantastic scenery right on the lake. But no WiFi? He didn't think to ask. We've never encountered this. My HotSpot box won't even connect me. My phone only gets occasional coverage and is so small I can't do much besides look at my email.

An old spreading mesquite tree
So here I am, sitting in a McDonald's. I had to drop him off at 5am then settled in this McD's. Nothing like a McD's breakfast - not! Just hope I'm caught up by lunchtime. Might be time to start the diet. If I get out of here soon, I won't be able to respond to comments until I'm back to civilization
One of my favorites - Desert Ironwood
on Tuesday.

When I'm hunkered down in the RV, without Internet, I do get more writing accomplished. Book four in my Love and Murder series took flight yesterday. And I got in two great walks.

Rusty waiting to go to doggie beach
This sort of inconvenience makes me wish for the days of no Internet. You can't miss something you don't have. You can't need something that doesn't exist. An elderly gentleman on his way out, stopped by my table and commented. He told me he used to be plugged in but gave it all up a couple of years ago. All he owns now is a simple phone for emergencies. Hmmm...some day maybe.


Although she didn’t start out to write romantic suspense, Brenda has found all good stories involve complicated human relationships. She’s also found no matter a person’s age, a new discovery is right around
every corner. Whether humorous or serious, straight contemporary or suspense, all her books revolve around those two facts.

Visit Brenda at www.brendawhiteside.com.
She blogs on the 9th and 24th of every month at http://rosesofprose.blogspot.com
She blogs about writing and prairie life at http://brendawhiteside.blogspot.com/

Monday, April 27, 2015

PUBLISH THE STORY by C. Marie Bowen



MUSE MONDAY
Please welcome my guest, C. Marie Bowen, to Discover Yourself. Be sure to leave a comment and you'll be entered in a drawing for a free eBook of Passage! You have until Thursday to leave a comment and the winner will be chosen on Friday.
 
Hello, Brenda, and thank you for having me as a guest. I’m excited to be here on Muse Monday.
I’m currently working on an edge of your seat, paranormal trilogy. Mix up a near-death experience with a past life, flavor with epic romance, and then stir in a few mouthwatering cowboys, add a dash hostile conflict, and you’ll have Passage—book one in The Soul of the Witch trilogy.

The story takes hold from the first chapter and heads straight into a soul splitting journey. I am in the last stage of editing book two, Prophecy, and cannot wait to have it released so I can latch onto the final piece of the story in book three, Paradox. My goal is to submit Paradox, to my publisher by the end of this year.

Soul of the Witch first began to take shape back in 1980. I had given birth to my oldest son and taken an extended maternity leave from work. Although the story had been fighting to get out of my head for years, this was the first time I put pen to paper. Literally. Back then, I used a pen and spiral notebooks labeled #1, #2, etc. I still have those spiral notebooks.

When I returned to work, I put the notebooks in the closet and let them sit for another nine years. In 1989, I gave birth to my second son, and again, my internal muse sparked. I pulled out the old notebooks, and with the help of a friend from work, put my handwritten words into a WANG word-processor. Of course, back then, there were no PC’s or word processing applications, and no way to preserve the digital work. But I finally had a printed copy of my story. Back into the closet it went, and life moved on.

Fast forward to August, 2012. Both boys had grown, finished college and moved on to pursue their lives. I found myself extremely unhappy at work. A large corporation had purchased the company I worked for and many of my long-time co-workers and friends had left or were let go. The new management wanted their own processes and people. The times, they were a-changing, and the pressure began to affect me physically. My hair began to fall out. I developed stress related nerve pain. I didn’t know what I was going to do.

Out of the blue, my wonderful husband suggested I take some time off and regroup. I couldn’t resign fast enough. After that, I made a list of everything I wanted to accomplish during my break from work; clean out the closets, paint the hallway, and rework the flowerbeds. In my closet, I found the box with my typed story, along with a bag of spiral notebooks. I quickly added another item to my TO-DO list. Publish the story.

The first order of business was to put the book into an actual Word document. As I began typing the story, my imagination took flight. The story took over and I was filled with enthusiasm. I became a different person, happier, with all my remembered friends from the closet arguing inside my head. But I knew I needed structure and direction. I joined RWA and enrolled in editing and writing classes. I eventually ran into a few like-minded writers who also worked on their first books and we formed a critique group. I discovered my fabulous, passionate epic had to be edited with extreme prejudice. I had written each precious character with their own point of view, and included all their character-building back stories. The original work was well over 150,000 words. Yikes!

During the long edit/re-edit process, I read about an open submission at a small publishing company, Prairie Rose Publications. They were asking for Western Halloween short stories for an anthology. I had a western character and paranormal was right up my alley. I retrieved one of the “cut” back-stories, reworked it into a short story, and submitted Hunter and Lily Graham to PRP. When the acceptance email came from the acquiring Editor, I had to have my husband read it again just to be sure I understood what the email said. They loved my story and my characters and wanted to include my short story in their Halloween anthology.

Since then, I have written two more short stories for PRP anthologies. All my tales have a paranormal twist, suspense and romance. I finally submitted Soul of the Witch, Book 1, Passage, to PRP at the end of last year, and it was accepted for publication. Passage, Soul of the Witch, Book 1 published on March 12, 2015. 

I was thrilled to put a big CHECK beside Publish the story, although I have yet to paint the hallway. 

Passage - blurb:
After a car accident, Courtney Veau has a “near death” experience, and returns to her past-life in the post-Civil War west. When she wakes in a present-day hospital, Courtney realizes she’s returned to her own hollow existence. Heartbroken, she knows she left behind not only a family she loves, but life with the man who shares her soul, a man she’ll love forever, Merril Shilo.

A carriage accident nearly takes beautiful Nichole Harris’s life, stealing her memories completely. Plagued by amnesia, she is confused by flashes of memory that are out of time with the world around her, and seem to belong to someone else. Only Nichole's own strong emotions remain to guide her—and as others try to take control of her life, she fights a desperate battle to survive. Merril Shilo is someone she should know, and though her memories fail her, she is stunned by her passion for him—and the remembered agony of a broken heart.

Merril Shilo is the love of Courtney’s life—no matter when that life might be. The memories and emotions of her life as ranch heiress Nichole Harris consume Courtney’s mind—and her heart. Courtney soon finds her desire for Merril threatens her sanity, as he beckons from a past she can no longer reach. She would give her life to return to her soul-mate, if she could only find the passage back to him.


Excerpt from Passage:
The long shadows faded into twilight. She'd found what she came for—proof this house existed. There was no longer a reason to stay; and yet, just the possibility she might hear his voice again kept her waiting one more day.
Outside the window, night took final possession of the day. A few porch lights came on down the block. Headlights swung around the corner as a car turned onto the street and illuminated the pavement. The headlights winked off and a car door slammed.
Behind her, the room took on a familiar chill. She turned from the window and pressed her back against the heavy drapes as the echo of boots pounded up the back stairs. She gasped when he raced into the room, vaguely luminescent in the darkness. He was dressed in denim trousers and cotton shirt, with a silk scarf tied loosely around his neck. Where's his hat? Had he lost it in the dash up the stairs? That wide-brimmed cowboy hat was such a part of him he seemed naked without it. His hair had come loose from its binding, and he shoved it out of his face with a familiar motion. She stood close enough to read the emotion play across his face, a mixture of fear and bewilderment. His breath was labored, and his anxiety tangible as he stopped and looked right at her. Her mouth fell open in surprise and her heart tightened in her chest. Does he see me?
He took a hesitant step toward her. “Nichole?” His voice filled with horror, he whispered her name from another life.
Yes! Merril, it's me.” Courtney stepped toward the specter.
His head turned. His attention called away from her open arms. “Oh, sweet Jesus.” Merril fell to his knees and reached for something no longer there. “Nicki, please don't go. Stay with me.”
Merril, I'm here.” Her heart ached for him and for herself, but her plea went unheard.
Sobs shook his wide shoulders.
Her heart clenched to witness his despair. She longed to comfort him, to assure him she was there, but could not. In defeat, she sank to her knees beside the grieving apparition.
Nicki, don't leave me. Look at me—” His hushed voice, choked and broken.
I'm right here, my love,” she whispered, but the room grew warm and Merril Shilo faded back into the past. Courtney hung her head in the darkness and fought back tears. One question was answered, at least for now.

LINKS:

Connect with C. Marie here: Website: www.cmariebowen.com

Friday, April 24, 2015

ADVENTURES IN DRIVING by Mary Gillgannon



FEARLESS FRIDAY
I love Fearless Friday. Mary has a fun story for us so read on!

When we decided we needed a rental car on our trip to Ireland and Wales, both my husband and I presumed he would be the driver. After all, he’s been driving since he took his mom’s car joyriding at age ten. For many years he had a commercial driver’s license and in the early years of our marriage, he drove trucks for his jobs.
But all those credentials didn’t prepare for him for the reality of driving on the wrong side of the road while seated on the wrong side of the car. We’d only gone a few blocks after picking up our rental car in Wales when he scraped the side of the car maneuvering through one of the crowded, narrow streets. Appalled, he pulled over and said, “I can’t do this.” So we switched places and I became the driver.
I really had no choice. The only other person in the car was our son, who was only 18 and not legally old enough to drive a rental car. And we knew we were already in trouble with the rental agency because of the long scratch on the side of the car. So, with knuckles white on the steering wheel, I maneuvered out of the narrow lane, found the main highway and we headed off.
It took all my concentration at first, and I could barely even risk a glance as we passed Conwy Castle or dare more than a glimpse of the ocean as we followed the coast. The lush green hills and picturesque mountain vistas I’d come to see also passed by in a blur. And I’m sure I left some swearing drivers in my wake. I drove slowly and cautiously, and hesitated at more than a few turns and roundabouts (more on those later). But I got us to our destination, and from then on I was the driver.
A few days later, we took the ferry to Ireland and met up with my husband’s brother and his girlfriend, but my driving tasks weren’t over. My brother-in-law has poor peripheral vision and didn’t feel comfortable driving. And his girlfriend, although experienced at driving “on the wrong side of the road”, wasn’t very enthused about driving. After all, she’d come on this trip to relax. So once again, that left me. I now had a whole carload of people to help me navigate. And it took all of them to get us out of Dublin, with its one way streets, streets that seem to go in circles, crazy traffic and highway construction. But once outside of Dublin, I discovered something even more daunting:  roundabouts. 
There had been a few roundabouts in Wales, but it’s a fairly rural country and I could at least catch my breath in between them. In Ireland it seemed like every intersection was a roundabout or, worse yet, a double roundabout. I approached each one with a sense of growing panic and confusion. And the whole carload had to coach me through them and tell me exactly where to turn. Even then, there were plenty of times when I turned in the wrong place and we had to backtrack. They finally convinced me that if I missed the turn I should just go around again and try to catch it the second time. For a while I had nightmares about driving endlessly around in a circle in a roundabout.
But we all survived and it was a wonderful trip in every other respect. And I did get better. With the result that when I went to England and Wales with my daughter a few years later, I planned an itinerary that included driving in and out London, navigating the narrow, serpentine streets of Cardiff during rush hour and a horrendous experience in
Reading where we followed the main “dual carriageway” in a circle around the city about a dozen times. We asked for directions in three different places, but were still hopelessly lost. It’s quite possible we would still be trapped there, going around and around, if a kind stranger hadn’t taken pity on us. He told us to follow him in his car, then literally stopped and got out and said “turn here” (while pointing) when we reached the road we needed to take to our hotel.
I’ve since driven on two more trips to Scotland, Wales and Ireland. I really feel I’m getting much better. I sail through roundabouts and only take the wrong turn and get lost about a third of the time. People are always amazed that I can do it. My secret is that I’m not an intuitive driver, which means I always have to focus very hard to figure out where I am in regards to other vehicles. So, driving in the UK just means concentrating a little more intensely. I’m also highly motivated. In these trips, I’m always on the way to some magical destination that I’ve dreamed of seeing, and if the only way I can get there is by driving, then that’s what I’ll do!

Mary’s next book is a Regency historical to be released on May 6th.